The project "broken concert" brings together two duos that could not be more different. The duo F.la-ut, consisting of recorder and lute/theorbo, specializes in the interpretation of early Baroque and Baroque music, while the saxophone duo [uʌn] duo focuses primarily on contemporary works and work with commissioned compositions.
The goal of the four musician friends was to bring a program to the stage that combines these two worlds of old and new in an exciting but also coherent way.
The result is a rich music travel which, apart from all the contrasts, also aims to create space for common musical meeting points.
The highlight of the program is the new work by Oded Geizhals (*1990), specially commissioned for this project and to be perform by both duos.
The programme title "broken concert" is a derivation and continuation of the term broken consort. A consort (Latin consortium = community) was a common term in England in the 16th - 17th centuries for a musical ensemble in which only instruments of the same family (ex. only recorders or only violins) were represented. If different instrument families were mixed, one spoke of a broken consort.
The two duos F.la-ut and [uan] duo take their program a step further and mix not only different instrument families, but also different musical styles.
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